Visserskaai
Oostende

Between late 1908 and early 1909, Spilliaert rented a studio for several months on the corner of Visserskaai and Nieuwstraat.

This period not only saw his work exhibited in Belgium for the first time, but a first newspaper review also appeared, and it was a remarkably productive time for the artist. He had a great affinity with the port, the quays, the fisherwomen... and this is reflected in his work. In addition to the outdoor scenes, a number of works have been preserved in which he clearly depicted his rental studio, located above a local chip shop. At least three half-arched windows provided him with a view of the rooftops across the street, an oblique view of the channel, fishing boats and the quays, and a view parallel to the wharf. Gust De Smet and Constant Permeke took over the studio after Spilliaert’s departure.

Léon Spilliaert, Vue du quai des Pêcheurs depuis l’atelier, Ostende, 1909, aquarelle, encre de Chine et craie grasse sur papier, 65,3 x 50 cm. De Vuyst, Lokeren.
Ostende – Quai des Pêcheurs, carte postale, TOB, série XIII, n° 6, vers 1905-1910. Collection privée. À gauche sur cette carte postale, on voit clairement la maison blanche à l’angle avec au troisième étage les fenêtres inclinées de l’atelier que Spilliaert y louait.
Léon Spilliaert, La Fenêtre de l’atelier du quai aux Pêcheurs, 1908-1909, encre de Chine lavée, crayon de couleur et pastel sur papier, 63,6 x 48,2 cm. Photo Luc Schrobiltgen.
Léon Spilliaert

Visserskaai Oostende