Spilliaert's very personal view and interpretation of the world around him raises questions about the person behind the art. What kind of person was Léon Spilliaert? What was his family like? Who was he in contact with? Where did he spend his time?

On this page, you can delve into different facets of his life: his biography, the places that were important to him and the many people in his network.

Spilliaerts life

1881 – 1946

Is it really necessary for us to divide Spilliaert’s life into various stages? Of course not, however, Spilliaert’s highly personal art evolved as he continued to grow as a person. What’s more, the events that unfolded around him naturally influenced his work. And being self-taught, he developed his techniques gradually, through his practice and by observing other artists. Moreover, this breakdown by no means implies that Spilliaert himself was aware of these changes or that an obvious caesura can be perceived in his art.

And another thing: Spilliaert didn’t rest on his laurels; in his lifetime, he moved house more than ten times. Want to know more about the various places he called home? If so, click Locations, and to learn more about the people in his life check out People.

Léon Spilliaert, 17 years old
1881-1898:

a wonderful memory

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Amour (Love), 1901
1898-1902:

the earliest works

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Man with Flag, 1904
1902-1904:

off to Brussels and Paris

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Children in the Dunes, 1905
1904-1907:

after the Parisian adventure

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Self portrait with mirror, 1908
1907-1909:

productive years and first taste of success

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The Dyke of Ostend Viewed from the Palisade, 1910
1909-1916:

the airship, fisherwomen and the Great War

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Photo, Léon and Rachel Spilliaert with their daughter Madeleine, Brussels, January 1918. Photographer unknown.
1916-1921:

domestic bliss and great expectations in Brussels

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Commercial docks at Ostend, 1924
1921-1935:

back to Ostend

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Nuns in the Forest, 1936
1935-1946:

the final Brussels years

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Locations

Léon Spilliaert moved home more than eleven times during his life. Following his marriage to Rachel Vergison in 1916, and the birth of their daughter Madeleine in 1917, the family moved home multiple times. This was often due to practical concerns: the house was too gloomy, a ceiling had fallen down, or there simply wasn’t enough room. Spilliaert only had his own studio in a few of their homes, he mostly worked in the living space, on a sturdy board or the dining table. Find out more about the different places he lived and worked in Ostend here. 

City
Brussel, AHKB, inv. 46.225, postkaart van Henri Vandeputte aan Léon Spilliaert, 10 februari 1914.
Brussels, ACAB, inv. 46.225, postcard from Henri Vandeputte to Léon Spilliaert, 10 February 1914.
Place

Perfumery/childhood home (ca. 1881 - 1916)

Oostende
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Ostend - Quai des Pêcheurs, postcard, TOB, series XIII, no. 6, ca. 1905-1910. Private collection. This postcard clearly shows the white corner house on the left, with the arched windows of Spilliaert's studio, which he rented on the third floor.
Ostend - Quai des Pêcheurs, postcard, TOB, series XIII, no. 6, ca. 1905-1910. Private collection. This postcard clearly shows the white corner house on the left, with the arched windows of Spilliaert's studio, which he rented on the third floor.
Place

Attic studio Visserskaai (1908 - 1909)

Oostende
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Brussels, AHKB, inv. 46.307, postcard from Georges Balthus to Léon Spilliaert, 12 July 1921.
Brussels, AHKB, inv. 46.307, postcard from Georges Balthus to Léon Spilliaert, 12 July 1921.
Place

Briefly in Ostend (summer 1921)

Oostende
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Brussels, ACAB, inv. 36.966, envelope of a letter from Paul Haesaerts to Léon Spilliaert, 2 March 1923.
Brussels, ACAB, inv. 36.966, envelope of a letter from Paul Haesaerts to Léon Spilliaert, 2 March 1923.
Place

Belle-époque apartment (May 1922 - May 1923)

Oostende
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Brussel, AHKB, inv. nr. 46,268, enveloppe van een brief van Henri Vandeputte aan Léon Spilliaert, 21 febuari 1928.
Brussels, ACAB, inv. 46,268, envelope of a letter of Henri Vandeputte to Léon Spilliaert, 21 February 1928.
Place

Home ánd studio (May 1923 - May 1928)

Oostende
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Brussels, ACAB, inv. 36.960, envelope of a letter from Paul Desmet to Léon Spilliaert, 18 October 1928.
Brussels, ACAB, inv. 36.960, envelope of a letter from Paul Desmet to Léon Spilliaert, 18 October 1928.
Place

Close to Leopoldpark (May 1928 - May 1929)

Oostende
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Brussels, ACAB, inv. 36.957, envelope of a letter from Paul Desmet to Léon Spilliaert, 28 October 1929.
Brussels, ACAB, inv. 36.957, envelope of a letter from Paul Desmet to Léon Spilliaert, 28 October 1929.
Place

Hazegras district (May 1929 - May 1932)

Oostende
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Poststraat 1 Oostende
Place

Last home in Ostend (May 1932- September 1935)

Oostende
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People

Although the popular image of Spilliaert is that of an isolated artist, he had lots of contacts, with artists and writers and the art experts or so-called animateurs d’art of his time. Moreover, he started a family when he married at the age of 35 and became a father shortly afterwards. Find out more about some crucial people in his life here 

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Seascape, 1924
Léon Spilliaert, Seascape, 1924, oil on canvas, 75 x 100 cm. Ostend, Mu.ZEE, Collection of the Flemish Community, inv. BS007091. Photo Cedric Verhelst.
Question

Spilliaert: painter or draughtsman?

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Solitude, 1901
Léon Spilliaert, Solitude, 1901, Indian ink, pencil and coloured pencil on paper, 24.5 x 32 cm. Private collection, on long-term loan to Mu.ZEE, inv. B000326. Photo Cedric Verhelst.
Question

Did Spilliaert speak French or the Ostend dialect?

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Interior, ca. 1908
Léon Spilliaert, Interior, ca. 1908, watercolour and coloured pencil on paper, 50 x 65 cm. Collections of the Museum of Ixelles, inv. CC 0766.
Question

Was Spilliaert unhappy?

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